A blog about architectural tiles, terra cotta and other ceramic surfaces, architectural glass and ornamentation in and around New York.

Showing posts with label Jean Nison. Show all posts
Showing posts with label Jean Nison. Show all posts

Tuesday, January 1, 2019

New Resources and Jean Nison Update



New Resource

Shopfront Elegy blog (https://shopfrontelegy.wordpress.com/)

A pictorial blog with explanations of many British industrial and commercial shopfronts. This blog includes a section of tiled shop fronts:  https://shopfrontelegy.wordpress.com/tag/tiled/


"Poole Arms, 19 The Quay, Poole, Dorset, 2004 • ...green tiles, this time on the oldest pub on Poole Quay: it dates from 1600s (though not the tiling, which was made by Carter’s of Poole, the forerunners of Poole Pottery)." (Photo courtesy of Vici MacDonald;  https://shopfrontelegy.wordpress.com/2014/08/14/poole-arms/)

The blog's author, Vici MacDonald, has also published a book, Shopfront Elegy Sampler, and writes:

"Shopfront Elegy is an ongoing project by Vici MacDonald, who for many years has been photographing old commercial and industrial facades from around Britain. In 2012 she launched a blog called Shopfront Elegy, which featured one of these images every day. The Shopfront Elegy books further curate this collection of over 30,000 images into a series of themed volumes, ranging from Grimness to Grandeur.

"An overview can be found in this first volume, Shopfront Elegy: Sampler. Photographs from the project can also be found alongside poems by Tamar Yoseloff in the chapbook Formerly (Hercules Editions, London, 2012), which was shortlisted for a Ted Hughes Award and exhibited at the Saison Poetry Library in London’s Southbank Centre.

"Vici MacDonald is an editor, designer and writer based in London, England. She has authored a monograph on Australian sculptor Rosalie Gascoigne, renowned for her poetic assemblages of found text (Regaro, Sydney, 1997). In 2007 she was a founding editor, with publisher Steve Bush, of contemporary art magazine Art World. In 2012 she and poet Tamar Yoseloff co-founded Hercules Editions, a small press combining poetry and imagery. Other publishers and publications she has worked for include Penguin Group, Faber & Faber, Oxford University Press, Smash Hits and The Art Newspaper."




Jean Nison Update

Jean Nison's Furniture

In my original article about the ceramic art of mid-century modern artist Jean Nison, I showed some photos of Nison's tiled table in the Lippincott House in Scarsdale, New York, which was featured in the September 1953 House Beautiful magazine.


Nison's tiled table is partially shown in the upper right photo in this House Beautiful ad. (House Beautiful, Vol. 95, September 1953)



Part of the top of the built-in tile table (full size is 31" x 40"). (Photo credit: Itai Taubenfeld; photo courtesy of Merrill and Dalia Berman)

This was not the only tiled furniture that Nison created during her career as a ceramic artist, and which I've discussed before. In a photo shoot of a stained glass window made by Nison's ex-husband, Robert Pinartfor her Greenwich Village townhouse, one photo shows part of a tiled coffee table that Nison made for her own use.


Tiled coffee table in the living room of Jean Nison's townhouse at 35 Spring Street, Manhattan. (Photo credit: probably Robert Sowers; courtesy of Robert Pinart)

We also know of two instances where Nison designed tiled church "furniture" in collaboration with Robert Pinart, who designed stained/dalle de verre glass windows for the churches. The first project was for the Shepherd of the Hills Lutheran Church in Berkeley, California and consisted of a tiled altar and a tiled baptismal font.


Jean Nison’s tiled altar in the Shepherd of the Hills Lutheran Church. (http://www.sothb.org/) Printed material from the Church states that "The free standing altar was designed to use the frontal ceramic tiles planned and executed by Jean Nison. The curious bubbly glazes of Miss Nison's tiles is unique and characteristic and is a result of her study and experimentation to create an effect of other-worldliness and a new effect in the diffusion of light."


Three photos showing Nison's tiled altar, a detail of the altar tiles, and the tiled baptismal font in the Shepherd of the Hills Lutheran Church, Berkeley, California (1960). According to printed material supplied by the Shepherd of the Hills Church, "The baptismal font matches the altar with artistic use of concrete and Miss Nison's tiles. Thus the font and altar outwardly signify the inner spiritual relationship between the two sacraments." The tiles, themselves, illustrate Nison's use of precious metals (gold and/or silver) mixed with her glazes.

The second church furniture project was for the St. John the Baptist Catholic Church in Hillsdale, New Jersey (1969). Jean Nison designed a metal sculpture on a mosaic tile base for the Nave. The sculpture, called the Tabernacle, where the Eucharist is kept in reserve, was fabricated by the Columbia Art Metal Works of Newark, New Jersey. (From an unpublished book manuscript, The Glass Art of Robert Pinart: An Annotated Listing, working title, ©2016, 2017, 2018 Susan Ingham Padwee and Michael Padwee.)




"The Tabernacle" with Jean Nison's tiled-mosaic base. (Photo credit: Michael Padwee)

Detail of the tiled-mosaic base.



And recently, we have been told of a set of three, tiled stacking tables which were either made by Nison, herself, or were made specifically for her tile installations. The tables are the property of Neil Schwartzbach, whose parents bought them for their home in the 1950s. It is not known where these tables were originally sold.


Set of three, tiled nesting tables in Mr. Schwartzbach's home. (Photo credit: Neil Schwartzbach)



Three tiles on the largest table picture horses.




Three tiles on the middle table picture deer.



Two tiles on the smallest table also picture horses. (Photo credits: Neil Schwartzbach)

I am certain that Jean Nison created other tiled furniture during the 1950s and 1960s. If any of the readers of this blog come across other pieces of Nison's tiled furniture, please let me know. (tileback101 "at" collector "dot" org)



H A P P Y   N E W   Y E A R



LINKS TO MY PAST BLOG ARTICLES

"Newark, New Jersey Loses Another Architectural Gem: Science High School "


"A Possible Early Sketch for one of Frederick Dana Marsh's Marine Grill Murals" and a new exhibit.
read more...

"The Commercial and Personal Art Tiles of Rafael Guastavino, Jr.: Part II"
read more...

"The Lower East Side and Bialystoker Landsmanshaftn"

"The Identification of United States Art Tiles" and three new resources

"Tile Advertisements in the Paris Métro" and "SAVED!!! The Empire State Dairy Tile Murals in Brooklyn, New York"

"The Sevillian tile style: Catalogo de Azulejos de Estilo Sevillano"

"Bits and Pieces: Updates for the Lever House, the Kesner Building and 2116 Ditmas Avenue, Brooklyn" and an obituary for Robert Pinart

"The Commercial and Personal Art Tiles of Rafael Guastavino, Jr." (Part I)

"Art Deco Commercial Architecture: Montgomery Ward’s Mid-Size Department Stores"

"Tessellations: Islamic Tile Patterns and M.C. Escher"

"Grant's Tomb, the Community and the Gaudi-esque benches of Pedro Silva" AND A request for help

"A Factory As It Might Be" and the 2016 Ortner Preservation Awards
The Atlantic Terra Cotta Company and the Beginnings of Polychrome Terra Cotta Use

Bits and Pieces: The Brooklyn-Battery Tunnel and following up on the James N. Gamble House and the Charles Volkmar Overmantle Mural

Art Deco Buildings and Their Lobbies: the Chrysler Building, the Film Center Building and the Kent Garage/Sofia Brothers Storage Warehouse

ARCHITECTURAL MURALS OF LUMEN MARTIN WINTER and a REPORT ON THE EMPIRE STATE DAIRY BUILDING

The Heart of the Park: Bethesda Terrace and its suspended Minton Tile ceiling

A Landmarks hearing was held on July 19, 2016...

Two Restorations: The City Hall Subway Station and the Tweed Courthouse

Egyptian, Moorish and Middle Eastern Ornamentation Used In Art Deco Terra Cotta in New York City, and Empire State Dairy Update
Wall Murals in Brooklyn: A Mini Survey

Inside Prospect Park: The park's Rustic, Classical and other Internal Architecture

Herman Carl Mueller in Titusville and Trenton, New Jersey; A Charles Volkmar Discovery in Clifton, New Jersey

A Book Review and New Discoveries and Updates-II: Jean Nisan, Ceramic Tile Artist

Polychrome Terra Cotta Buildings in Newark, New Jersey

New Discoveries-I: The Tiled House of Jere T. Smith

Introducing the Stained and Dalle de Verre Glass Art of Robert Pinart

Bits and Pieces: Polychrome Terra Cotta- and Tile-Clad Buildings

Socialist and Labor Architecture and Iconography in New York City

Bits and Pieces: Two Mosaics--Hamden, CT and Manchester, NH

The Renaissance Casino and Ballroom Complex in Harlem: Another Tunisian Tile Installation Headed for Demolition

Clement J. Barnhorn and the Rookwood Pottery

The Woolworth Building

The Mosaic Art of Hildreth Meière

Lost Tile Installations: The Tunisian Tiles of the Chemla Family

The Grueby Children's Murals on East 104th Street

The Experimental Lustre Tiles of Rafael Guastavino, Jr.

Bits and Pieces: Two "E"s--Eltinge and Elks; and more about Jean Nison

The Ceramic Tiles and Murals of Jean Nison

Pleasant Days in Short Hills: A Rookwood Wonderland

Architectural Ceramics in the Queen City

Isaac Broome: Innovation and Design in the Tile Industry after the Centennial Exhibition

"Immigration on the Lower East Side": A Public Arts Mural Created by Richard Haas

Movie Palaces-Part 2: The Loews 175th Street Theatre

Béton-Coignet in New York: The New York and Long Island Coignet Stone Company

Michelin House, London

Movie Palaces, Part 1: Loew's Valencia Theatre

An Architectural and Ceramic Tour of Istanbul - Part II

The Tiles of Fonthill Castle

An Architectural and Ceramic Tour of Istanbul - Part I

Tiled Facades in Madrid

Nineteenth Century Brooklyn Potteries

Ernest Batchelder in Manhattan

Leon Victor Solon: Color, Ceramics and Architecture

Architectural Art Tiles in Reading, Pennsylvania

Charles Lamb and Charles Volkmar

Kansas City Architecture - II

Kansas City Architecture - I

Westchester County--Atwood and Grueby

Modern Houses in New Caanan, Connecticut

PPG Place, Pittsburgh

Aluminum City Terrace, New Kensington, Pennsylvania

Newark's WPA Tile Murals: “Fine Art is an Important Part of Everyday Life”

Public Art Programs in New York City: The CETA Tile Murals at Clark Street

Concrete and Tiles-I: Moyer, Mercer, Murosa

The Café Savarin and the Rookwood Pottery; Chocolate Shoppe Rebounds

Architectural Ceramics of Henry Varnum Poor

Herman Carl Mueller and the Church of St. Thomas the Apostle

Meet Me at the Astor

The Mikvah Under 5 Allen Street; "Historic Hall" Apartments Revisited

London Post-3

Some Moravian Tile Sites in New York

London Post-2

London Post-1

Brooklyn's International Tile Company

Subway Tiles-Part III, the Squire Vickers Era

Subway Tiles-Part II, Heins and LaFarge

Subway Tiles--Part I, Guastavino tiles

Trent in New York-Part III, Historic Hall Apartment House

American Encaustic Tiling Company-Part II, Artists' Tiles

Trent in New York-Part II, a Dey Street Restaurant

American Encaustic Tiling Company-Part I, Tile Showrooms

Trent in New York-Part I, The Bronx Theatre

Fred Dana Marsh's Tiles

*****


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Tuesday, December 1, 2015

A BOOK REVIEW and NEW DISCOVERIES and UPDATES-II: JEAN NISON, CERAMIC TILE ARTIST

H A P P Y   H O L I D A Y S


A newly discovered architectural ceramic mosaic by Jean Nison and a book review of Un Siècle de Céramique D'Art En Tunise


St. John the Baptist Catholic Church, Hillsdale, NJ (2015). (Color photos courtesy of Michael Padwee unless otherwise noted)

While taking photos of Robert Pinart’s 50+ stained glass windows in St. John the Baptist Catholic Church in Hillsdale, NJ, I saw a metal sculpture on a mosaic tile base on the far side of the Nave. When I got closer I thought I recognized the mosaic tile pieces as similar to tiles made by Jean Nison, Robert’s ex-wife and close friend. I brought my photos to Robert, and he identified them as Nison’s.



The sculpture is the Tabernacle, where the Eucharist is kept in reserve. The wings are symbols of the cherubim wings on the Ark of the Covenant. The crown is a symbol for the Crown of Thorns, and the fish on the front of the cabinet is a symbol of the food given to those who believe in Jesus Christ. (Conversation with the Parish Secretary)


According to the church dedication booklet, the church architect was Louis J. Mineo, Jr., who lived in Hillsdale and had offices in Emerson, New Jersey, and the Liturgical Designer was Michael F. Segalas. Robert Pinart and Jean Nison both knew Michael Segalas when he worked in the architecture office of Percival Goodman. Pinart said that he obtained some commissions through Michael Segalas. Louis Mineo, Jr. was also the architect of record for other projects in New Jersey where Pinart designed the windows--Pascack Valley Hospital in Westwood (1967) and Temple Beth El in Closter (1968). The sculpture was fabricated by Columbia Art Metal Works, Newark, New Jersey. (Dedication Booklet, Saint John the Baptist Hillsdale, New Jersey, Ecclesiastical Color Publishers, South Hackensack, NJ, 1969)




One of Nison’s trademarks was to drop liquified gold mixed with glaze onto the tiles’ surfaces. The tiles were then fired at low temperatures in a kiln.




















Jean Nison's Missing Tiled Table

While digitizing the glass slides of Robert Pinart, I came across a series of photos of a large, abstract dalle de verre window Robert made for his ex-wife, Jean Nison. One of the slides included a section of Nison's living room which showed a tiled table top. Pinart identified the tiling as Jean's, but had no idea what happened to the table after the house was sold.







Jean Nison’s Fireplace Surround for Lever Brothers



Jean Nison, 1950s. (Photo courtesy of the American Crafts Council Library)

In my article about mid-century-modern ceramic tile artist Jean Nison, I mentioned that she was commissioned to create a tile installation in the Lever Brother’s Boardroom in New York City’s landmarked Lever Building.



(Photo taken and edited from: Jean Nison, "Fantasies in Tile", Craft Horizons, Vol. 13, No. 3, May-June 1953, p. 36+)

According to Nison, she visited decorators, left tiles with them and hoped they would call her. This was how, she believed, Raymond Lowey Associates, the industrial design firm, asked her to make a wall decoration for Lever House, at that time the headquarters of Lever Brothers Corporation (now Unilever). I contacted the curator of the Lever House Art Collection, Mr. Richard Marshall, but he had no information about the fate of Nison's tile installation. Unilever Corporation moved out of the building in the 1980s, and may have taken the tiles with them. A request to Unilever for information, however, went unanswered.

Recently, however, the question of the fate of the installation may have been answered.



Two of the tile designs from the Lever Brothers Boardroom fireplace surround illustrating the color scheme of the installation. (Jean Nison, American, born in Egypt of French parents [sic]. Lever House, NYC, (Boardroom Tiles)(framed pair), c. 1952. Ceramic, Size 6 x 6 in. Gift of Eric M. and Joy Hart. G2005.21.13)

After reading my article, the Chief Curator of the Mobile (AL) Museum of Art, Paul Richelson, contacted me. Two tiles from the boardroom fireplace in Lever House had been donated to the Mobile Museum of Art by Eric M. and Joy Hart in 2005. Either these were extra tiles that were not used in the installation, or the installation was removed when Unilever moved from Lever House to Connecticut and tiles were given to some of the executives. If the latter, other tiles from this installation may still exist.



This was probably made for, and sold at Lever House. (Photo from ebay)

To prove my point, a recent ebay auction listed a “replica” boxed tile of the Lever Brothers tile on the left, above. Nison may have made extras to sell in crafts stores and at Lever House, itself.


A Possible New Tile Panel

I was recently contacted by a reader who had purchased a Nison tile depicting a doe on a field of gold bubbles. The tile has writing on the back that says "do again creeping panther", which could mean Nison was considering using the doe tile in a panel setting.



(Photo of 6" tile  painted on a Wheeling Tile Company blank courtesy of Will Cottes)




The Tichenor House Dragon Mural


The full double dragon mural in the master bathroom. (Photo courtesy of the American Craft Council Library)

Built in Long Beach, California in 1904-05 the Tichenor House was one of only three homes constructed in Long Beach by the renowned architectural team of Charles and Henry Greene. In the early 1950s “[the] house was extensively remodeled [...by architect Adrian Wilson and his associate, Alden Becker] with many modern changes to the interior,” (http://articles.latimes.com/1991-05-05/news/hl-2211_1_tichenor-houseincluding the addition of a double dragon tile mural in the master bathroom.

In December of 2011 a fire started in the rear of the house and was extinguished in about twenty minutes. (http://www.presstelegram.com/technology/20111212/fire-strikes-historic-tichenor-house
“The fire in the [bath]room must have been very intense, because the tile was covered with soot that was burned onto the surface of the tile face. The tile also had a crackle glaze, which has many very tiny cracks over the entire surface. This was intentional, and reflects the style of the tile. Unfortunately, the soot permeated the crackle glaze... .” (http://www.justanswer.com/antiques/7ehtb-ra-jpm.html)


Brian Kaiser, a tile conservator and preservationist, was called in and saved the bathroom mural. Kaiser has been restoring the mural ever since, and half of it has been completely restored.




There is a problem, though. Brian lives in a house that was once owned by the ceramicist Rufus Keeler, who, for many years, was the major force behind the Malibu Potteries in Malibu, California. Brian’s house has many interior and exterior tile installations from the 1920s-30s that were designed by Keeler. Nison’s panel from the 1950s does not belong in that setting, and Brian would like to find a new home for Nison’s mural which is approximately 7’ by 7’. If anyone is interested in this mural, they should contact Brian at brian.kaiser'at'ymail.com.



          UN SIÈCLE DE CÉRAMIQUE D'ART EN TUNISE




For those of us who have long marveled at the wonderful designs of Jacob Chemla's Tunisian tiles, this book, written by Jacob's grandchildren, Monique Goffard, Jacques Chemla and Lucette Valensi, will be very welcome. In the first third of the twentieth century the "Tunisian Tile Company" and "The African Tile Company" supplied architects like George Washington Smith, Bertram Goodhue and Addison Mizner, among others, with Mediterranean and Middle Eastern-style tiles for resorts, mansions, hotels and other residential and commercial establishments in the United States. Although many of the Tunisian tile installations no longer exist--mainly in New York City and State, many others in California and Florida remain intact.


Detail of a tile panel in the entry hall of the theatre of the President of the Republic in Carthage.


This book details the lives of the Chemla family and their ceramic interests from Haï Chemla through his son, Jacob (1858-1938), and his three sons, Victor, Albert and Mouche and their families. Jacob Chemla is credited with reviving the lost arts of Tunisian ceramics by perfecting a special glaze and blue color that had been thought lost.


Top: vase with a flared neck; bottom: vase with a conical neck. The bottom vase is signed "Awled Chemla Tunis" plus a tulip, an emblem for Ben Ahmed.

There are large sections of photos of architectural tile installations, individual tiles and pottery. Pottery markings and individual signatures of artists are also identified.


Four tile designs.

This is an important book that is not to be missed, especially by tile and pottery enthusiasts, architectural historians and preservationists.

This book is written in French and may be purchased from http://www.amazon.ca/Un-siècle-céramique-dart-Tunisie/dp/2841623777,

https://www.chapters.indigo.ca/en-ca/home/section/34-214-321140-327006-561000-cat.html, or

http://www.priceminister.com/offer/buy/796203172/un-siecle-de-ceramique-d-art-en-tunisie-de-collectif.html.

I have previously written two articles about the tiles produced by the Chemla potteries:  http://tilesinnewyork.blogspot.com/2014/11/lost-tile-installations-tunisian-tiles.html

and

http://tilesinnewyork.blogspot.com/2015/03/the-renaissance-casino-and-ballroom.html.