A blog about architectural tiles, terra cotta and other ceramic surfaces, architectural glass and ornamentation in and around New York.

Showing posts with label Trent Tile Company. Show all posts
Showing posts with label Trent Tile Company. Show all posts

Thursday, November 1, 2012

The Mikvah Under 5 Allen Street and "Historic Hall" Apartments Revisited

The 5 Allen Street property in 2007. (http://maps.google.com)

In the late 19th/early 20th century many people on the Lower East Side (and poorer people in most places) did not have indoor plumbing. Women, mainly, carried water from the street to their tenement apartments where the water was heated as needed or used as is. Bathtubs were not as common as they are now, and public and private bathhouses for both sexes were used for bathing. One of these privately owned bathhouses was at 5 Allen Street in Manhattan.
5 Allen Street (second--shorter--building on the other side of the Elevated tracks), Identifier:  bpm_0637-a, Municipal Archives photo, 1924, (cropped). (http://nycma.lunaimaging.com/luna/servlet/view/search?fullTextSearch=fullTextSearch&q=Allen%20Street,%20Manhattan&os=100)
This bathhouse was first opened in 1887 and was around the corner from the Eldridge Street Synagogue, the first synagogue built by orthodox Eastern European Jews in the country. (The Eldridge Street Synagogue was built in 1886-87 as a house of worship for K'hal Adath Jeshurun, a congregation of immigrants from Russia, Roumania and Poland. The congregation, founded in the 1850's, was the first Eastern European Orthodox Jewish congregation in America, and its members had worshipped -- as had thousands of New York Jews -- in tenements, storefronts and former churches vacated by earlier settlers on the Lower East Side.) (http://www.nyc-architecture.com/LES/LES010.htm)
In 2001, during an urban archaeology project co-sponsored by the Synagogue and NYU, Dr. Celia Bergoffen, an urban archaeologist, discovered a tiled pool and smaller tiled mikvah, an Orthodox Jewish ritual bath, in the empty lot that had been 5 Allen Street and which was, in 2001, owned by the Synagogue and was being restored.
The excavated mikvah in 2001. Photo courtesy of Michael Padwee
The New York Times reported that “ Its discovery last month behind the landmark Eldridge Street Synagogue casts new light on the day-to-day existence of Eastern European Jews on the Lower East Side at the turn of the last century. It suggests that the practice of ritual immersion may have been more widespread than previously believed. If an otherwise common four-story tenement could have a mikvah in its basement, how many more might there be underfoot?” (David W. Dunlap, “Manhattan Journal; Tale of Past Jewish Life, Told in Tile”, The New York Times, November 4, 2001, http://www.nytimes.com/2001/11/04/ nyregion/manhattan-journal-tale-of-past-jewish-life-told-in-tile.html“Bergoffen said it was not unusual for bathhouses, central to Lower East Side life before apartment bathrooms were common, also to have a mikveh. She said the 10th Street baths[, for instance,] served as a Russian bathhouse beginning in the 1890s. Moreover, she added, it contained a pool that was once a kosher mikveh designed for more than one person at a time.” (Norman Eisenberg, “Mikveh Unearthed in New York”, The Jewish Federations of North America, undated, http://www.jewishfederations.org/page.aspx?id=26969)

[The mikvah and tiled pool were unearthed]...with a Caterpillar 320 hydraulic excavator...operated by Peter Mikes.  On Oct. 16, Mr. Mikes opened a trench. About three feet down, a line of white tile appeared, 20 feet long. This turned out to be a six-foot-deep swimming pool, lined with multicolored tiles in eye-popping hexagons. Two days later, Mr. Mikes opened another trench to reveal a line of round-edged tile. '’It was a small, mikvah-sized pool,' Dr. Bergoffen said, so small it could not be excavated with...the Cat 320. She and a graduate student, Dubravko Lazo, had to finish the work with shovels. The small pool turned out to be five feet deep, ideal for immersion, as required by Jewish law. Nearby was a smaller concrete pool, connected by a short length of pipe, which would have served as the cistern for the rainwater.” (Dunlap article)  “Bergoffen said the style of the tiles suggested that the pool had been built between 1900 and 1920.” (Eisenberg article)

“...Dr. Bergoffen learned that the first proprietor of the Allen Russian Baths [at 5 Allen Street], which opened the same year as the synagogue, was Isaac Natelson, a member of the Eldridge Street congregation.” (Dunlap article) Amy Stein-Milford, a member of the Eldridge Street Synagogue congregation used genealogical research methods to learn about Isaac Natelson and his wife, Gittel (Americanized to “Julia”). “ I learned that Gittel was a Jewish immigrant living on the Lower East Side in the 1880’s. She owned a mikveh (Jewish ritual bath) close to the synagogue. I also did a quick search online… . By doing this, I was able to learn about Gittel buying property at 5 Allen Street, just around the corner from the Eldridge Street Synagogue. This site included the mikvah as well as facilities for ordinary bathing. ...I also learned that Gittel’s husband Isaac was involved in the bathing house business, and owned other rental properties in the neighborhood.” (Amy Stein-Milford, “Researching Mikvah Operator Gittel Natelson”, February 9, 2011, http://www.eldridgestreet.org/blog/2011/02/researching-gittel-natelson/)

I became briefly involved in this urban archaeology project when Susan Tunick, the president of Friends of Terra Cotta and a member of the Eldridge Street Project Board, and I volunteered to try to identify the companies that manufactured the tiles and glazed white bricks in the pool and mikvah. We visited the mikvah site in late November 2001--the pool had been re-covered with three feet of earth as protection against the weather--and we collected and photographed tiles and bricks.
Some of the tiles and tile fragments in the Synagogue office
When we were at the archaeological site “...we noted a course of 6” square blue tiles under the 3” x 6” white wall tiles just above the level of the Mikvah.  These tiles could not be examined, however, as there were no loose examples.  The mikvah, itself, was lined with ceramicized bricks that were heavily glazed in white, one of which we found partially buried a few feet away.  The 20’ pool had been temporarily reburied under about 3’ of earth. According to some photos we saw of the pool, it was lined with colored hexagonal tiles that were different from the colored floor tile fragments we had seen in the Synagogue [see photo above].  These would be inaccessible until the pool…[was] uncovered… [in 2002]. 

"The mikvah and the cistern next to it, which was originally filled with rainwater collected on the roof of the bathhouse and delivered to the cistern via pipes, seemed to have been located in the basement of the bathhouse.  The ceramicized bricks that lined the Mikvah were marked in two lines, 'Sayre & Fisher Co/Sayreville, NJ'. 

"The Sayre & Fisher Brick Company was founded in 1850 in Woods Landing, NJ by James Sayre of Newark, NJ and Peter Fisher of New York City.  (The town name was later changed to Sayreville). Sayre & Fisher expanded until it became one of the largest NJ brickmakers.  The plant closed in the 1960s.
Drawing of the American Encaustic Tile Company reverse
  
"At the time we were examining the mikvah, the Sayreville, NJ Historical Society Museum was holding an exhibit of the Sayre & Fisher Brick Company.  A letter and calls to the museum, however, went unanswered. [At that time I was hoping to date the construction of the mikvah by using any surviving Sayre & Fisher records in the possession of the Sayreville Historical Society. Another request to the Historical Society in 2012 also went unansered.]

"While digging at the site, we found a small fragment of a 3” x 6” white wall tile that was marked “AETCO” in raised letters. [The image above illustrates]...the full back of a white wall tile.  The raised markings (AETCO, 1/24 and 69) and ink stamped marks are on a partially raised bar between two bars that were raised higher than the central bar.  All three bars inclined down to the back of the tile, and the outer edges of the upper and lower bars also inclined down to the back of the tile.  It was thought that these wall tiles possibly date from a post-1900 remodeling of the baths.  It might help to date the mikvah if we could obtain a blue wall tile. 

"[The drawing above illustrates]...the back of the 3" x 6" white wall tile with the swag decoration.  This tile back had four slightly recessed partial bars and a slightly recessed central square.  The numeral markings are ink-stamped.  Images of the back and front of this tile were emailed to English tile historian Hans von Lemmen, who thought the tile might be of German origin.  Hans searched through his files of tile backs and decorative elements on tiles, but no close match was found.  The identification of this tile still remains a mystery.

"Susan [Tunick] also took some examples of the colored tiles [collected previously by Celia Bergoffen], which were in situ.  Susan was going to try to release the tiles from their matrix and clean them by “firing” them--a process which will clean tiles, but also changes them physically.  Once the tiles are released and cleaned, any markings or key patterns can be seen.  (Susan warns, however, that this process should only be used on tiles that can be spared.  The tiles that were fired by Susan did not show any makers’ marks).” ( Michael Padwee, “Tile Back Views” column in Flash Point, Newsletter of the Tile Heritage Foundation, Jan. 2002-June 2003, Vol. 15, Nos. 1 and 2, p. 10.)

I had not thought about the mikvah and pool for a number of years until I decided to write about them for this blog. I tried to find out what had happened to the mikvah after the Eldridge Street Synagogue had been restored. A search of the internet for “5 Allen Street” brought up a number of blog posts that showed a thirteen story hotel being built on the former bathhouse lot.
A hotel being built at 5 Allen Street, August 2012. (Photo courtesy of Michael Padwee)
I asked at the hotel if any pools or baths had been found or preserved in the basement. The answer was “no”. I then went around the block to the Museum at Eldridge Street in the Eldridge Street Synagogue and asked the docents and the people in the museum office if they knew of, or had records of, the mikvah and pool. No one knew what had happened to the mikvah, but the mikvah and the baths at 5 Allen Street were mentioned on the museum’s interactive Lower East Side map.
The backyard of the hotel at 5 Allen Street taken from the fire escape of the Eldridge Street Synagogue. (Photo courtesy of Michael Padwee)
I then emailed Amy Stein-Milford, the author of the article about Gittel/Julia Natelson and the Deputy Director of the Museum at Eldridge Street, asking if she had any information about the fate of the mikvah. Ms. Stein-Milford said the 5 Allen Street property had been sold four or five years ago.
Eldridge Street Synagogue

While I was at the Eldridge Street Synagogue, I took the tour of the recently restored building. Much of the interior was the original ornamentation, or was painstakingly restored. The main entry hall tilework was the original tilework from 1887.
(Photos courtesy of Michael Padwee)

View from the balcony. Kiki Smith's stained glass window (the only new object in the restoration). At near left is a section of purposely-left-unrestored wall.


"HISTORIC HALL" APARTMENTS REVISITED

In my post of July 18, 2012, “Trent in New York--Part III, Historic Hall Apartment House”, I stated that I thought 940 St. Nicholas Avenue was the “Historic Hall” apartment house where there had been, at one time, a number of murals installed by the Trent Tile Company of Trenton, NJ, as well as a “rug” tile floor. I recently learned that this address was incorrect. The true address of the “Historic Hall” apartment house was 928-930 St. Nicholas Avenue, between West 155 and 156th Streets. This building is now an apartment co-op.
928-930 St. Nicholas Avenue
According to the Real Estate Record and Builders' Guide, Vol. 92, No. 2374, September 13, 1913, p. 496, 928-930 St. Nicholas Avenue is a “6-sty elevator apartment house, [the] “Historic Hall,” on [an irregular] plot 124.9 x 126 [feet]... .”
The entry hall/foyer of 928-930 St. Nicholas Avenue
When I entered this building there was a foyer which could have held three tile murals and a fireplace as described in the September 7, 1909 Trenton Evening Times. The first tile mural “...produce[d] a picture of New York City...as it appeared in 1407, true to nature and within a space of five feet six inches by four feet six inches... ." The second tile mural "...reproduce[d] an old print showing Harlem, from Morrisania, in 1647, in a panel of three feet six inches by two feet six inches... ." The third tile panel "...present[ed] an accurate likeness of the trees planted in New York by Alexander Hamilton in 1802, inside [a border] of two feet six inches by nine feet... ." Although there were no tile murals on the first floor of the building, there were mosaic floor tiles in the shape of tile rugs. The newspaper article states that "The floor of Historic Hall, in the main corridor, is to be covered with tile, in the design of a damask rug, in 24 colors, embracing a space of ten feet...six inches by eleven feet. The fine, old-fashioned fireplace, too, is to be of tile, and the words Historic Hall in superior ceramic mosaics are to be placed beneath the...mantel." Although there is no mantel, nor “Historic Hall” in mosaic tiles on the floor, the floor tiles are rug-shaped with patterns consisting of many colors. Could this have been the original tiled floor?



In 1906 the Trent Tile Company had a four page ad published in Sweet's Indexed Catalogue of Building Construction, a to-the-trade publication, which pictured types of ceramic mosaic floors that Trent could design.
("Trent Tile Company", Sweet's Indexed Catalogue of Building Construction for the Year 1906, The Architectural Record Co., New York City, 1906, p. 374)
 (The Tile Heritage Foundation has again mentioned my historic tile installations website and this blog in their E-Newsletter, which has articles about The Spanish Pottery of Los Angeles, a California Clay Products 1931 tile installation in San Diego, and a Rookwood tile discovery in Cleveland, among others. The THF has been a strong supporter of my efforts over the years and is an excellent resource for information about tiles and tile history.)

Wednesday, July 18, 2012

Trent in New York--Part III, Historic Hall Apartment House



A 6" x 18" Trent art tile
panel (3-6" tiles) from a fireplace.
(Author's collection)
     To me the most interesting and tantalizing Trent tile installation mentioned in the September 7, 1909 Trenton Evening Times article (see Trent-Part I) was the tiled panels and floor in the "Historic Hall" apartment house in Manhattan. The newspaper article describes these murals as follows: the first tile mural "...produce[d] a picture of New York City...as it appeared in 1407, true to nature and within a space of five feet six inches by four feet six inches... ." The second tile mural "...reproduce[d] an old print showing Harlem, from Morrisania, in 1647, in a panel of three feet six inches by two feet six inches... ." The third tile panel "...present[ed] an accurate likeness of the trees planted in New York by Alexander Hamilton in 1802, inside [a border] of two feet six inches by nine feet... ." Further, "The floor of Historic Hall, in the main corridor, is to be covered with tile, in the design of a damask rug, in 24 colors, embracing a space of ten feet...six inches by eleven feet. The fine, old-fashioned fireplace, too, is to be of tile, and the words Historic Hall in superior ceramic mosaics are to be placed beneath the...mantel." Architect Albert P. Morris designed Manhattan's "Historic Hall" apartment house. The interior, main floor decoration was conceived by Charles B. Upjohn, chief of the design staff at the Trent Tile Company, and the matt-glazed murals were painted by the artist Norman E. Rulon. Ceramist Charles Lawshe oversaw the production of the tiles.
     When I first read of this apartment house, I began searching for it on the internet. All I had was the name, not the address. I found one newspaper article that mentioned the Historic Hall apartments: "Activity Shown In West Side Districts", New York Daily Tribune, May 1, 1910, p. 12, column 2, which placed the building "in St. Nicholas avenue opposite l56th street." I then went to Christopher Gray's excellent website, Office for Metropolitan History, and read his article, A Guide to Researching the History of a New York City Building.
      Since the building was designed by the architect Albert P. Morris and built in 1909, I next searched for the architect's new buildings (NBs) for 1909 and the surrounding years in the "Manhattan NB Database 1900-1986", accessed through Christopher Gray's website. Three new buildings were listed for Albert Morris. The most promising result out of these three buildings was one built in 1909 on the East side of St. Nicholas Avenue, approximately 248 feet North of 155th Street. 
     I then took a trip to St. Nicholas Avenue and 155th Street and roughly measured 248 feet from 155th Street. I found myself in the middle of 156th Street. The building I focused on was at the NE corner of West 156th Street and St. Nicholas Avenue--940 St. Nicholas Avenue. Another building on the SE corner became my second choice--936-938 St. Nicholas Avenue. I managed to gain entry to the ground floors of both buildings, and decided that the three tile murals, "rug" and mantel would have fit better in 940 St. Nicholas Avenue.


     940 St. Nicholas Avenue
Entrance, 940 St. Nicholas Avenue, Manhattan


A large public area on the ground floor near the St. Nicholas Avenue entrance


Entry hallway at the West 156th Street entrance


936-938 St. Nicholas Avenue
Entrance, 936-938 St. Nicholas Avenue


Internal courtyard to apartment entrance


One of the interior hallways
          Trent created at least one other pictorial tile rug that has been described in print, although no photos are known to exist. An undated and unpaged article, "Curious Indian Legend Designed in the 'Mat'" in a Trenton Sunday Advertiser, states:
          I have asked both the Potteries of Trenton Society, which has an excellent database of the ceramic companies operating in Trenton, NJ, and the Tile Heritage Foundation for information about the Kline Barber Shop and the Historic Hall building, but neither had any new information.

     (The Tile Heritage Foundation recently mentioned my historic tile installations website and this blog in their E-Newsletter.)


A Trent fireplace surround recently seen on eBay

Wednesday, June 27, 2012

Trent in New York--Part II, a Dey Street Restaurant

A 3 1/2" diameter Trent stove tile (author's collection)

     Today, Dey Street West of Broadway is a one block remnant of what it used to be--a busy conduit to the Hudson River and its shipping, and, as one contemporary architectural journal wrote, "...the most artistic buildings that one sees are the cafe restaurants" on Dey and Fulton Streets. (Architecture, Vol. XXVI, No. 4, Oct. 15, 1912, p. 187) It is unfortunate that we no longer have proof of this. 

"Construction, West on Dey Street from Broadway" by F. Savastano, 1934. Mayor Fiorello H. LaGuardia collection, City of New York Municipal Archives, No. fhl_1650-01. Photo courtesy of the Municipal Archives. The Hudson Terminal Buildings and pedestrian bridge are in the background.
     In 1908/09 the massive Hudson Terminal Buildings and the H&M Railway Terminal were built on both sides of and under Dey Street on the West side of Church Street. "The main purpose of the H & M was to connect railroad and streetcar terminals on the New Jersey waterfront with points in Manhattan. ...Hudson Terminal was a marvel written up in engineering and architectural journals... . The property occupied the length of two city blocks along the west side of Church St from Cortlandt St to Fulton St., bisected by Dey St. Above the station, the H & M then built two office towers, the Hudson Terminal Buildings, which brought in rental income. The two buildings matched but were not identical, because the more southerly block was larger." (quoted from "Abandoned Stations" by Joseph Brennan, http://www.columbia.edu/ ~brennan/abandoned/hudterm.html) “The Hudson & Manhattan Railroad Company erected this complex as an investment and as its signature development. ...Narrow Dey Street separated the towers and was transversed with a pedestrian bridge high above and by tunnels below.” (Joseph J. Korom, The American Skyscraper, 1850-1940: A Celebration of Height, Brandon Books, Wellesley, MA, 2008, p. 270) 
     The terminal was in use from 1909-1971 when construction on the World Trade Center was begun. The restaurant did not survive the construction of the original World Trade Center.                                                                       





Hudson Terminal Buildings (right) in a 1909 photo. (United States Library of Congress Prints and Photographs Division, digital ID cph.3c25895.)  Photo courtesy of the Library of Congress. Dey Street is between the two buildings.

Trent Tiles Installation

     According to a Trenton Evening Times article (September 7, 1909, p. 1), Trent tiles "...will go into the main dining room of a new Dye [sic] Street restaurant immediately opposite the Hudson Terminal Building... . ...The dining room in the Dye Street restaurant is decorated with a wainscoting of tile six feet from the floor. It is all colored in buff matt glaze, and painted in pinks and greens, harmonizing perfectly with the floor design, also of tile. This general style of the decorations, here, including the walls and panel effects, is all l'art nouveau [a tile line of the Trent Tile Company]... ."
     Although we have not been able to locate images of the tiled interior of this restaurant, and we are not even sure of the exact name or address of it, we have located an image of another restaurant from this period tiled with Trent tiles: Diehl's Tavern in Trenton, NJ, designed by the architect Abram Swan, Sr. The Trent ad accompanying the image describes the tiles: "The body of the wainscoting is composed of 6x6 'DELLA ROBBIA' glazed tile in a soft shade of varigated Moss Green. The Frieze is in 6x9 tile Majolica painted in three colors, outlined in enamel black. The 9x4 Cap, and 6x9 Frieze as well as the tile used for the string courses are all in 'L'Art Nouveau.' The Cap and Base Tile are colored in a deep Myrtle Green glaze; string courses are in a brilliant Ox Blood glaze. The floor is laid by 1/4x1/4 square vitreous Ceramic Mosaic in a rich red color broken by an all-over design in white interspersesed with rosettes in Dark Green and Silver Gray. The border to the floor is in round Ceramic Mosaic, in design and color to harmonize with the body of the floor." (The Architectural Record, Vol. XVIII, No. 6, Dec. 1905, p. 68)


Main bar room of Diehl's Tavern. (U.S. public domain image)
     In a c. 1905 catalog of the Trent Tile Company Alfred W. Lawshe describes Trent's "Della Robbia" glazes as "Stanniferous enamels, and are non-crazing; the colorings are rich reds, greens, browns, oranges, yellows, blues and pinks, as also the most delicate tones and shades of these colors." (Catalog of the Trent Tile Company, Trenton, NJ, c. 1905, original printed by Edw. Stern & Co., Inc., Philadelphia; reprinted by the Tile Heritage Foundation, Healdsburg, CA, 1990s)
Some Trent "Della Robbia" and "L'Art Nouveau" tiles.
     If anyone has additional knowledge about the "Dey Street Restaurant", please contact me.
     

Tuesday, June 12, 2012

Trent in New York--Part I, The Bronx Theatre



A framed 6" Trent portrait tile designed by Isaac Broome (author's collection)

Trent Crystal Glaze Tiles: The Bronx Theatre

     In a September 7, 1909 article in the Trenton Evening Times (p. 1) three new Trent Tile Company installations in New York City were described. Although the installation locations were noted, of the three, not a single tile still exists (https://sites.google.com/site/tileinstallationdb/
where-are-they-now).

     The tile installations were manufactured by the Trent Tile Company of Trenton, N.J., which was one of the major producers of art tiles in the United States in the late 19th-early 20th centuries. "The Trent Tile Company was first organized as the Harris Manufacturing Company, c. 1882, but soon changed its name to Trent. By 1892 Trent operated 20 kilns...and by 1910 employed 300 workers. By 1912 Trent ran into difficulty and was placed in receivership. ...The company...was closed...[in 1939]. ...The years prior to World War I, and especially the 1880s and 1890s, were the heyday of Trent's production of art tile. Isaac Broome, who had worked for the Etruria Pottery of Trenton and for the Ott & Brewer Pottery, was Trent's designer and modeler from about 1883 to 1885, when he left Trent to help organize the Providential Tile Works. According to Edwin Atlee Barber, Isaac Broome left enough art tile designs at Trent that many were still being made into the 1890s. Another major artistic influence at Trent was William Wood Gallimore..., an English modeler of portrait busts and vases, [who] came to work at Trent in 1886 and stayed for six years. ...Also, about 1905 Charles Babcock Upjohn, who had worked for Weller Pottery [in Zanesville, Ohio] and the Cambridge Art Pottery as a designer and modeler..., joined the Trent Tile Company." (from Michael Padwee, "The Manufacture of Ceramic Tiles in Trenton-Part 2: The Trent Tile Company (1882-1939)", in Trenton Potteries, the Newsletter of the Potteries of Trenton Society, Vol. 4, Issue 4, December 2003, pp. 1-2. http://potteriesoftrentonsociety.org/publish/Vol%204% 20Iss%204%20December%202003.pdf)

Another 6" portrait tile designed by Isaac Broome (author's collection)

     The first of the Trent tile installations mentioned was the foyer of the Bronx Theatre built in 1909 on Melrose Avenue near 150th Street. (This theater should not be confused with the Bronx Opera House built in 1913 on 149th Street near Melrose Avenue and later renamed the Bronx Theatre!) The 1909 Bronx Theatre was designed by William H. McElfatrick (1854-1922), who designed many theaters in the United States and Canada, including the Manhattan and Lexington Opera Houses in New York and the Philadelphia Opera House. (http://www.sah.org/index.
php?src=gendocs&ref=BiographiesArchitects M&category
=ResourcesWilliam McElfatrick was a principal in the firm of J.B. McElfatrick and Sons, a firm renowned for its theater architecture. "During the firm's existence (until 1922) it designed about three hundred theaters..., including almost forty in New York." (Marilyn Dee Casto, Actors, Audiences, and Historic Theaters of Kentucky, The University Press of Kentucky, Lexington, KY, ©2000, p. 75)

"The facade of the Bronx Theatre under construction" by the Byron Company 
(New York, NY). From the Collections of the Museum of the City of New York (http://collections.mcny.org/C.aspx?VP3=SearchResult_VPage&VBID =24UP1GYQ7VYR&SMLS=1&RW=1261&RH=652).


A photo from Architects' and Builders' Magazine, Vol. XLII, No. 2, November 1909


     The Trenton Evening Times stated that "[Following]...a lengthy series of experiments...[, the Trent Tile Company]...has completed one of the first orders in the country for tile in red crystal glazes. ...In the Bronx Theatre the panels [of tiles] of red crystal glazes are to supplant the imported tapestries formerly employed almost exclusively in decorating theatre foyers. The glazes will be fancifully set off with narrow rims of buff and a margin of tile... . The panels in crystal will be three by six feet." Unfortunately, no photos of the tiled interior of this theater could be found.

Charles P. Lawshe (public domain image 
from "An Interesting Interview", The 
Mantel Tile and Grate Monthly, Vol. IV, 
No. 12, June 1910, pp. 28+)
     A more recent and informative article about Trent's crystal glaze tiles was written by Riley Doty ("Trent Tile's Crystal Glazes", Flash Point the Newsletter of the Tile Heritage Foundation, Vol. 12, No. 3 & 4, July-Dec. 1999, pp. 5-6). While restoring two fireplaces in a 1911 house in Berkeley, California, Mr. Doty discovered the crystal glazed fireplace tiles had been made by the Trent Tile Company. Mr. Doty researched the tiles and has quoted articles and ads from The Mantel Tile and Grate Monthly from 1910-1915 which illustrated the attempts of Charles P. Lawshe, the general manager of Trent and a ceramicist, to develop a new irridescent glaze similar to Tiffany's Favrile glass. Lawshe states that the "Crystal Glazes are of many tones, some showing weird, swirling reflections as a moonlight on water with clear, transparent patches among the crystals; others showing hoarfrost as on window panes; and still others, the surface effect of galvanized iron." Mr. Doty concludes "...that Trent, under Lawshe, introduces Crystal Glaze tiles and tries to market them as a 'higher art' line. ...The evidence suggests that Trent's Crystal Glaze tiles were not entirely successful in the marketplace and hence were made for only a few years." The original color photos from this restoration were located by Joe Taylor, the head of the Tile Heritage Foundation, and Mr. Doty remembered that the main colors were blue and yellow/gold, and the colors were a large part of their visual impact. (6-11-2012 email to the author)

Photos courtesy of Riley Doty
Dining Room fireplace, c. 1911

Crystal glaze tiles from the Dining Room--close-up

Crystal glaze tiles from the Living Room--close-up



     Another installation in Trenton, NJ used the experi-mental crystal glaze tiles--Gaertner's Restaurant, 101-103 W. Hanover Street (no longer in existence). "The wainscoting is 'Jugendstyle' [sic.] in design and is 5 ft. 10 ins. in height. The body is composed of 6x6 tiles, set straight joint in a dense semi-matte sap green glaze: cap, base and liners are in olive green, while the relief 6x9 insert is hand-painted in colors. Alternating with this is a 6x9 plain in a green crystal glaze. ...the frieze runs entirely around the room." ("Floor and Wall Tile", in Brick and Clay Record, Vol. XLIII, No. 7, Oct. 7, 1913, p. 704)

A poor-quality, edited image from the Brick and Clay Record 
of the tiling in Gaertner's Restaurant. (public domain)



     Although I have crystal glazed tiles from other companies in my collection, I do not have any manufactured by the Trent Tile Company. If any readers have examples that I can use here, please contact me.